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Enter two GROOMS, strewing rushes |
Two GROOMS enter, strewing rushes to cover the floors. |
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FIRST GROOM
More rushes, more rushes. |
FIRST GROOM
More rushes; more rushes. |
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SECOND GROOM
The trumpets have sounded twice. |
SECOND GROOM
The trumpets have blown twice. |
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FIRST GROOM
’Twill be two o’clock ere they come from the coronation. Dispatch, dispatch. |
FIRST GROOM
It’ll be two o’clock before they arrive from the coronation. Hurry, hurry. |
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Exeunt |
They exit. |
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Enter FALSTAFF, SHALLOW, PISTOL, BARDOLPH, and PAGE |
FALSTAFF, SHALLOW, PISTOL, BARDOLPH, and the PAGE enter. |
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FALSTAFF
Stand here by me, Master Robert Shallow. I will make the King do you grace. I will leer upon him as he comes by, and do but mark the countenance that he will give me. |
FALSTAFF
Stand here near me, Master Robert Shallow. I’ll make the King do good things for you: I’ll throw him a look as he passes by. Just watch the face he’ll make at me. |
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PISTOL
God bless thy lungs, good knight! |
PISTOL
God bless your lungs, good knight. |
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FALSTAFF
Come here, Pistol, stand behind me.—(to SHALLOW) O, if I had had time to have made new liveries, I would have bestowed the thousand pound I borrowed of you. But ’tis no matter. This poor show doth better. This doth infer the zeal I had to see him. |
FALSTAFF
Come here, Pistol. Stand behind me. (to SHALLOW) Oh, if I’d had time to make new clothes I would have spent the thousand pounds I borrowed from you. But it doesn’t matter. These poor clothes are better; it shows how desperate I was to see him. |
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SHALLOW
It doth so. |
SHALLOW
It does indeed. |
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FALSTAFF
It shows my earnestness of affection— |
FALSTAFF
It shows how sincerely I love him— |
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SHALLOW
It doth so. |
SHALLOW
It does indeed. |
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FALSTAFF
My devotion— |
FALSTAFF
My devotion— |
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SHALLOW
It doth, it doth, it doth. |
SHALLOW
It does, it does, it does. |
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FALSTAFF
As it were, to ride day and night, and not to deliberate, not to remember, not to have patience to shift me— |
FALSTAFF
In a word, to ride all night; not to stop and think, not to dawdle, not to take the time to change my clothes— |
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SHALLOW
It is best, certain. |
SHALLOW
It is best, no doubt about it. |
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FALSTAFF
But to stand stained with travel and sweating with desire to see him, thinking of nothing else, putting all affairs else in oblivion, as if there were nothing else to be done but to see him. |
FALSTAFF
Standing here filthy from traveling, and sweating with my desire to see him; thinking of nothing else, disregarding everything, as if the only thing in the world that mattered was seeing him. |
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PISTOL
’Tis semper idem, for obsque hoc nihil est; ’tis all in every part. |
PISTOL
That’s how it is. Nothing else matters. Semper idem. Obsque hoc nihil est. |
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SHALLOW
’Tis so indeed. |
SHALLOW
That’s exactly right. |
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PISTOL
My knight, I will inflame thy noble liver, and make thee rage. Thy Doll and Helen of thy noble thoughts is in base durance and contagious prison, Haled thither by most mechanical and dirty hand. Rouse up revenge from ebon den with fell Alecto’s snake, for Doll is in. Pistol speaks nought but truth. |
PISTOL
Knight, I’ll fire up your noble liver and make you enraged. Doll, the goddess of your thoughts, is imprisoned in a horrible jail, tossed there by a heartless and filthy hand. Stoke up dark revenge from your deepest belly and set loose the serpents of hell. Doll is in. Pistol speaks nothing but the truth. |
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FALSTAFF
I will deliver her. |
FALSTAFF
I’ll set her free. |
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Shouts within, and the trumpets sound |
Shouts are heard offstage. Trumpets play. |
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PISTOL
There roared the sea, and trumpet-clangor sounds. |
PISTOL
That was the roar of the sea. The clanging trumpet sounds! |
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Enter PRINCE HENRY and his train, the Lord CHIEF JUSTICE among them |
PRINCE HENRY enters with a procession of attendants, including the CHIEF JUSTICE. |
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FALSTAFF
God save thy Grace, King Hal, my royal Hal. |
FALSTAFF
God save your grace, King Hal! My royal Hal! |
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PISTOL
The heavens thee guard and keep, most royal imp of fame! |
PISTOL
The heavens guard and protect you, you royal child of fame! |
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FALSTAFF
God save thee, my sweet boy! |
FALSTAFF
God save you, my sweet boy! |
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KING
My Lord Chief Justice, speak to that vain man. |
KING
My Lord Chief Justice, go speak to that arrogant man. |
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CHIEF JUSTICE
(to FALSTAFF) Have you your wits? Know you what ’tis to speak? |
CHIEF JUSTICE
(to FALSTAFF) Have you lost your mind? Do you know what you’re doing, talking like that? |
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FALSTAFF
My King, my Jove, I speak to thee, my heart! |
FALSTAFF
My King! My God! I’m talking to you, my heart! |
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KING
I know thee not, old man. Fall to thy prayers. How ill white hairs become a fool and jester. I have long dreamt of such a kind of man, So surfeit-swelled, so old, and so profane; But being awaked, I do despise my dream. Make less thy body hence, and more thy grace; Leave gormandizing. Know the grave doth gape For thee thrice wider than for other men. Reply not to me with a fool-born jest. Presume not that I am the thing I was, For God doth know—so shall the world perceive— That I have turned away my former self. So will I those that kept me company. When thou dost hear I am as I have been, Approach me, and thou shalt be as thou wast, The tutor and the feeder of my riots. Till then I banish thee, on pain of death, As I have done the rest of my misleaders, Not to come near our person by ten mile. For competence of life I will allow you, That lack of means enforce you not to evils. And, as we hear you do reform yourselves, We will, according to your strengths and qualities, Give you advancement. (to CHIEF JUSTICE) Be it your charge, my lord, To see performed the tenor of my word.— Set on. |
KING
I know you not, old man. Get down on your knees and pray, for white hair doesn’t sit well on a fool and a clown. I have dreamed about such a man for a long time: a man so swollen with excess, so old and so obscene. But now that I have awakened, I despise that dream. Let your body lessen, and your manners increase; leave behind your overindulgence, and know that the grave gapes three times as wide for you than any other man. Don’t answer me with a foolish joke. Do not assume that I am what I was; for God knows, I have turned my back on my former self, and I will do the same to those who were my companions. When you hear that I am as I was, then come to me, and you will once again be what you were: the teacher and nurse to my wild, riotous ways. Until then, I banish you, on pain of death, as I have done to the other men who once misled me. Do not come within ten miles of me. I’ll grant you a modest allowance to live on, so that poverty will not lead you into evil. When I hear that you have reformed your ways, I will promote you as you deserve. (to CHIEF JUSTICE) It’s your job to see this order carried out. Let’s go. |
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Exeunt PRINCE HENRY, the CHIEF JUSTICE, and the attendants. |
PRINCE HENRY, the CHIEF JUSTICE, and the attendants exit. |
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FALSTAFF
Master Shallow, I owe you a thousand pound. |
FALSTAFF
Master Shallow, I owe you a thousand pounds. |
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SHALLOW
Yea, marry, Sir John, which I beseech you to let me have home with me. |
SHALLOW
Yes, indeed, Sir John. And I’d like to take it home with me. |
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FALSTAFF
That can hardly be, Master Shallow. Do not you grieve at this. I shall be sent for in private to him. Look you, he must seem thus to the world. Fear not your advancements. I will be the man yet that shall make you great. |
FALSTAFF
That can’t happen, Master Shallow. Don’t let this upset you; I’ll get a private invitation to see him. Look, he has to appear this way to the world. Don’t worry about your good fortunes: I’m still the man who will make you great. |
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SHALLOW
I cannot well perceive how, unless you should give me your doublet and stuff me out with straw. I beseech you, good Sir John, let me have five hundred of my thousand. |
SHALLOW
I don’t know how you’re going to do that, unless you give me your jacket and fill me out with stuffing. Please, Sir John, let me have five hundred of my thousand. |
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FALSTAFF
Sir, I will be as good as my word. This that you heard was but a color. |
FALSTAFF
Sir, I’m as good as my word. What you heard here a minute ago was just a color; it was a pretense. |
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SHALLOW
A color that I fear you will die in, Sir John. |
SHALLOW
A color that I fear you’ll be buried in, Sir John. |
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FALSTAFF
Fear no colors. Go with me to dinner.—Come, Lieutenant Pistol.—Come, Bardolph.—I shall be sent for soon at night. |
FALSTAFF
Stop worrying about colors: come to lunch with me. Come, Lieutenant Pistol. Come, Bardolph. He’ll call for me tonight. |
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Enter the Lord CHIEF JUSTICE and Prince John of LANCASTER; officers with them |
The Lord CHIEF JUSTICE, Prince John of LANCASTER, and officers enter. |
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CHIEF JUSTICE
Go, carry Sir John Falstaff to the Fleet. Take all his company along with him. |
CHIEF JUSTICE
Go, take Sir John Falstaff away to jail, and take all his companions with him. |
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FALSTAFF
My lord, my lord— |
FALSTAFF
My lord, my lord— |
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CHIEF JUSTICE
I cannot now speak. I will hear you soon.— Take them away. |
CHIEF JUSTICE
I can’t talk now. I’ll listen to you later. Take them away. |
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PISTOL
Si fortune me tormenta, spero me contenta. |
PISTOL
Si fortuna me tormenta, spero me contenta. |
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Exeunt all but Prince John of LANCASTER andthe CHIEF JUSTICE |
Everyone exits except John of LANCASTER and the CHIEF JUSTICE. |
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LANCASTER
I like this fair proceeding of the King’s. He hath intent his wonted followers Shall all be very well provided for, But all are banished till their conversations Appear more wise and modest to the world. |
LANCASTER
The King’s fair dealings please me. He wants to ensure that his old companions are provided for, but he banishes them until they can behave more properly and presentably. |
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CHIEF JUSTICE
And so they are. |
CHIEF JUSTICE
That they are. |
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LANCASTER
The King hath called his parliament, my lord. |
LANCASTER
The King’s assembled his parliament, sir. |
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CHIEF JUSTICE
He hath. |
CHIEF JUSTICE
He has. |
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LANCASTER
I will lay odds that, ere this year expire, We bear our civil swords and native fire As far as France: I beard a bird so sing, Whose music, to my thinking, pleased the King. Come, will you hence? |
LANCASTER
I’ll bet that, before the year ends, we’ll launch an invasion of France. I heard a little bird singing about it, and I think the music pleased the King. Come, will you leave with me? |
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Exeunt |
They exit. |
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Enter the EPILOGUE. |
The EPILOGUE enters. |
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First my fear; then my curtsy, last my speech. My fear is your displeasure my curtsy my duty; and my speech, to beg your pardons. If you look for a good speech now, you undo me, for what I have to say is of mine own making, and what indeed I should say will, I doubt, prove mine own marring. But to the purpose, and so to the venture. Be it known to you, as it is very well, I was lately here in the end of a displeasing play to pray your patience for it and to promise you a better. I meant indeed to pay you with this, which, if like an ill venture it come unluckily home, I break, and you, my gentle creditors, lose. Here I promised you I would be, and here I commit my body to your mercies. Bate me some, and I will pay you some, and, as most debtors do, promise you infinitely. And so I kneel down before you, but, indeed, to pray for the Queen. If my tongue cannot entreat you to acquit me, will you command me to use my legs? And yet that were but light payment, to dance out of your debt. But a good conscience will make any possible satisfaction, and so would I. All the gentlewomen here have forgiven me; if the gentlemen will not, then the gentlemen do not agree with the gentlewomen, which was never seen before in such an assembly. One word more, I beseech you: if you be not too much cloyed with fat meat, our humble author will continue the story, with Sir John in it, and make you merry with fair Katherine of France, where, for anything I know, Falstaff shall die of a sweat, unless already he be killed with your hard opinions; for Oldcastle died a martyr, and this is not the man. My tongue is weary; when my legs are too, I will bid you good night. |
First, I’ll tell you what I’m afraid of. Then, I’ll bow, and finally, I’ll make a speech. I fear that this play displeased you; I bow to you out of duty; and finally, I make this speech to ask you for forgiveness. If you’re expecting a good speech now, then I’m in trouble. For I wrote the words I’m about to say, and I’m sure that what I’m about to say will end up getting me in trouble. But I’ll get to the point, and thus I’ll get to the danger. You should know—as you seem to—that I recently came on this stage at the end of some other lousy play, to ask you to be patient and to promise you a better play the next time. I had intended to pay you back for that play with this one. If you didn’t like this play, then—like a businessman who has gambled on a risky venture—I am bankrupt; and you, my sweet creditors, are out of luck. I promised you I would be here, and here I stand to submit myself to your mercy. Give me some mercy and I’ll promise to pay you back again another time. That’s how debtors do it: they always promise to repay. If my talking can’t convince you to let me off the hook, then would you like me to dance? And yet, that would be a cheap payment, to dance myself out of debt. But a person with a good conscience will always seek to pay his debts, and I would do the same. All the women here have forgiven me: if the men won’t, then the men don’t agree with the women, which has never happened in a theater audience before. Just one more thing, if you don’t mind. If fatty meat hasn’t clogged you up yet, our playwright will continue the story with Sir John in it, and entertain you with the beautiful Princess Katharine of France. And speaking of France, as far as I know, Falstaff will die there of the sweating disease—unless, that is, he’s already been killed by your low opinions of him. Oldcastle died a martyr, and this is not him. My mouth is tired; when my legs are, too, I’ll say goodnight and take a bow. |