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The moated grange at ST. LUKE’s. |
The moated grange house at ST. LUKE’s. |
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Enter MARIANA and a Boy |
MARIANA and a Boy enter. |
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BOY
(sings) Take, O, take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn: But my kisses bring again, bring again; Seals of love, but sealed in vain, sealed in vain. |
BOY
(singing) Take, oh take those lips away, that swore such sweet lies, and those eyes, which trick the morning by shining bright as the sun at dawn. But give back, give back my kisses, which seal my love, but seal it in vain, seal it in vain. |
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MARIANA
Break off thy song, and haste thee quick away: Here comes a man of comfort, whose advice Hath often still’d my brawling discontent. |
MARIANA
Stop singing, and leave, quickly. Here comes a man whose advice has often calmed me down. |
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Exit Boy |
The Boy exits. |
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Enter DUKE VINCENTIO disguised as before |
DUKE VINCENTIO enters, disguised as a friar. |
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I cry you mercy, sir; and well could wish You had not found me here so musical: Let me excuse me, and believe me so, My mirth it much displeased, but pleased my woe. |
I beg your pardon, sir. I wish you hadn’t found me listening to music. Please excuse me, and believe me, it drove away my joy and nurtured my sorrow. |
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DUKE VINCENTIO
’Tis good; though music oft hath such a charm To make bad good, and good provoke to harm. I pray, you, tell me, hath any body inquired for me here to-day? much upon this time have I promised here to meet. |
DUKE VINCENTIO
That’s good, though music often has a magical power to make the bad seem good and encourage good people to misbehave. Please tell me, has anybody been asking for me here today? I promised to meet someone here about this time. |
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MARIANA
You have not been inquired after: I have sat here all day. |
MARIANA
No one’s been asking for you. I’ve been sitting here all day. |
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Enter ISABELLA |
ISABELLA enters. |
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DUKE VINCENTIO
I do constantly believe you. The time is come even now. I shall crave your forbearance a little: may be I will call upon you anon, for some advantage to yourself. |
DUKE VINCENTIO
I believe you; she’s here now. May I ask you to leave for a little while? I’ll be with you shortly, and it’ll be to your advantage. |
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MARIANA
I am always bound to you. |
MARIANA
I’m always grateful to you. |
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Exit |
She exits. |
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DUKE VINCENTIO
Very well met, and well come. What is the news from this good deputy? |
DUKE VINCENTIO
Welcome—and perfect timing. What’s the news from our favorite deputy? |
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ISABELLA
He hath a garden circummured with brick, Whose western side is with a vineyard back’d; And to that vineyard is a planched gate, That makes his opening with this bigger key: This other doth command a little door Which from the vineyard to the garden leads; There have I made my promise Upon the heavy middle of the night To call upon him. |
ISABELLA
He has a garden surrounded by a brick wall, whose western side is backed by a vineyard. Leading to that vineyard is a gate of wooden planks that you open with this larger key. This other key opens a little door that leads from the vineyard to the garden. I’ve promised to meet him there, in the dark middle of the night. |
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DUKE VINCENTIO
But shall you on your knowledge find this way? |
DUKE VINCENTIO
But do you know how to find the way there? |
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ISABELLA
I have ta’en a due and wary note upon’t: With whispering and most guilty diligence, In action all of precept, he did show me The way twice o’er. |
ISABELLA
I’ve noted it carefully—he gave me the directions twice, whispering the details with care and using gestures to explain. |
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DUKE VINCENTIO
Are there no other tokens Between you ’greed concerning her observance? |
DUKE VINCENTIO
Are there any other agreed-on signals she has to give? |
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ISABELLA
No, none, but only a repair i’ the dark; And that I have possess’d him my most stay Can be but brief; for I have made him know I have a servant comes with me along, That stays upon me, whose persuasion is I come about my brother. |
ISABELLA
No, none, only a visit in the dark. And I’ve let him know I can only stay a short time, because I told him a servant would be waiting for me, under the pretense that I was coming about my brother. |
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DUKE VINCENTIO
’Tis well borne up. I have not yet made known to Mariana A word of this. What, ho! within! come forth! |
DUKE VINCENTIO
You’ve handled it well. I haven’t told Mariana a word of this yet. Hey, you in there! Come here! |
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Re-enter MARIANA |
MARIANA re-enters. |
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I pray you, be acquainted with this maid; She comes to do you good. |
(to MARIANA) Please, let me introduce you to this girl. She’s here to help you. |
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ISABELLA
I do desire the like. |
ISABELLA
That’s what I want to do. |
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DUKE VINCENTIO
Do you persuade yourself that I respect you? |
DUKE VINCENTIO
Do you believe that I’ve got your best interests at heart? |
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MARIANA
Good friar, I know you do, and have found it. |
MARIANA
Good friar, I know you do, and that you’ve found a way to help. |
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DUKE VINCENTIO
Take, then, this your companion by the hand, Who hath a story ready for your ear. I shall attend your leisure: but make haste; The vaporous night approaches. |
DUKE VINCENTIO
Then take the hand of your new friend, who has a tale to tell you. I’ll wait for you until you’re ready, but hurry— night’s falling. |
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MARIANA
Will’t please you walk aside? |
MARIANA
Will you walk with me? |
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Exeunt MARIANA and ISABELLA |
MARIANA and ISABELLA exit. |
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DUKE VINCENTIO
O place and greatness! millions of false eyes Are stuck upon thee: volumes of report Run with these false and most contrarious quests Upon thy doings: thousand escapes of wit Make thee the father of their idle dreams And rack thee in their fancies. |
DUKE VINCENTIO
Oh, you people of high rank! Millions of treacherous eyes are fixed on you, accompanied by a mass of hostile rumors that follow everything you do. A thousand imaginations make you the source of their silly fantasies and torture you with their delusions. |
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Re-enter MARIANA and ISABELLA |
MARIANA and ISABELLA re-enter. |
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Welcome, how agreed? |
Welcome back. What did you decide? |
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ISABELLA
She’ll take the enterprise upon her, father, If you advise it. |
ISABELLA
She’ll do it, father, if you recommend it. |
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DUKE VINCENTIO
It is not my consent, But my entreaty too. |
DUKE VINCENTIO
I don’t just recommend it. I beg her to do it. |
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ISABELLA
Little have you to say When you depart from him, but, soft and low, “Remember now my brother.” |
ISABELLA
When you leave him, all you have to do is say softly, “Now remember my brother.” |
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MARIANA
Fear me not. |
MARIANA
Don’t worry about me. |
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DUKE VINCENTIO
Nor, gentle daughter, fear you not at all. He is your husband on a pre-contract: To bring you thus together, ’tis no sin, Sith that the justice of your title to him Doth flourish the deceit. Come, let us go: Our corn’s to reap, for yet our tithe’s to sow. |
DUKE VINCENTIO
And, gentle daughter, don’t worry for yourself. He is your husband-to-be, so it’s no sin for you two to sleep together—your valid claim as his wife allows the deception. Come on, let’s go. We have to sow the seeds before we can reap the harvest. |
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Exeunt |
They exit. |